‘Blade Runner’ composer and electronic music pioneer Vangelis dies at 79

The music world just lost one of its more influential figures. Deadlinereports Vangelis, the composer behind the scores for Blade Runner and Chariots of Fire, has died in France at the age of 79. He broke ground in music by blending synthesizers with jazz, orchestral work and other styles normally seen at odds with each other. He helped the movie business break away from its dependence on classical or pop soundtracks, and joined artists like Brian Eno and Jean-Michel Jarre in defining both electronic music as a whole as well as sub-genres such as ambient and new-age.

Vangelis is synonymous with sci-fi thanks to his iconic Blade Runner soundtrack, but he was also a proponent of space exploration who produced multiple albums in tribute to major missions. He helped score Carl Sagan’s 1980 Cosmos TV series, wrote Mythodea to celebrate NASA’s Mars Odyssey mission in 2001 and produced a tribute to the Rosetta comet probe in 2016. His last full album, 2021’s Juno to Jupiter, honored its namesake spacecraft right as it was shedding more light on the gas giant. He received NASA’s Public Service Medal in 2003.

The musician was born in Greece in 1943 as Evangelos Odessey Papathanassiou. He started his music career in pop and soundtracks in the mid-1960s, but it was his 1970s forays into electronic music that helped develop his signature style. Cosmos, Chariots of Fire and Blade Runner cemented his reputation, while high-profile projects like 1492: Conquest of Paradise and Alexander drew further attention.

Vangelis leaves a strong legacy. On top of his role in Hollywood, you can hear his influence in electronic artists like Robert Rich and Steve Roach. Even modern performers outside of his core genre, such as Armin van Buuren and Run the Jewels’ El-P, cite him as a hero. He’ll be missed, but you may hear echoes of his sound for decades to come.

Twitter says it won’t amplify false content during a crisis

Twitter is taking more steps to slow the spread of misinformation during times of crisis. The company will attempt to amplify credible and authoritative information while trying to avoid elevating falsehoods that can lead to severe harm. Under its new crisis misinformation policy, Twitter interprets crises as circumstances that pose a “widespread threat to life, physical safety, health or basic subsistence” in line with the United Nations’ definition of a humanitarian crisis.

For now, the policy will only apply to tweets regarding international armed conflict. It may eventually cover the likes of natural disasters and public health emergencies. 

The company plans to fact-check information with the help of “multiple credible, publicly available sources.” Those include humanitarian groups, open-source investigators, journalists and conflict monitoring organizations.

Twitter acknowledges that misinformation can spread quickly and it will take action “as soon as we have evidence that a claim may be misleading.” Tweets that violate the rules of this policy won’t appear in the Home timeline or the search or explore sections.

“Content moderation is more than just leaving up or taking down content, and we’ve expanded the range of actions we may take to ensure they’re proportionate to the severity of the potential harm,” Twitter’s head of safety and integrity Yoel Roth wrote in a blog post. “We’ve found that not amplifying or recommending certain content, adding context through labels, and in severe cases, disabling engagement with the Tweets, are effective ways to mitigate harm, while still preserving speech and records of critical global events.

The company will also make it a priority to put notices on highly visible rule-breaking tweets and those from high-profile accounts, such as ones operated by state-run media or governments. Users will need to click through the notice to read the tweet. Likes, retweets and shares will be disabled on these tweets as well.

“This tweet violated the Twitter Rules on sharing false or misleading info that might bring harm to crisis-affected populations,” the notice will read. “However, to preserve this content for accountability purposes, Twitter has determined this tweet should remain available.” In addition, the notice will include a link to more details about Twitter’s approach to crisis misinformation. The company says it will start adding the notice to highly visible misleading tweets related to the war in Ukraine.

The notice may appear on tweets that include falsehoods about on-the-ground conditions during an evolving conflict; misleading or incorrect allegations of war crimes or mass atrocities; or misinformation about the use of weapons or force. Twitter may also apply the label to tweets with “false information regarding international community response, sanctions, defensive actions or humanitarian operations.”

There are some exceptions to the rules. They won’t apply to personal anecdotes, first-person accounts, efforts to debunk or fact-check a claim or “strong commentary.”

However, a lot of the fine details about Elon Musk’s pending takeover of Twitter remain up in the air, and this policy could change if and when the deal closes. Musk has said Twitter should only suppress illegal speech (which is also a complex issue, since rules vary by jurisdiction). It remains to be seen exactly how he will handle content moderation.

Netflix rolls out a new discovery feature for kids

Picking out something new to watch from Netflix’s slew of kid’s titles can be overwhelming, for both parents and children. And sometimes kids are just indecisive. But the streaming service’s new “Mystery Box” feature on Netflix Kids — available today —…

Netflix to expand audio descriptions and subtitles in 10 additional languages

Netflix will expand its accessibility features in 10 additional languages, part of an effort to accommodate users who are hearing and vision-impaired. Starting this month and through early 2023, Netflix will roll out Audio Descriptions (AD), Subtitles …

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You can finally stream YouTube Music on your Wear OS watch

YouTube Music on Wear OS now works the way you’d expect. As The Vergenotes, Google’s music service now streams directly from its Wear OS app, whether you’re on LTE or WiFi. You’ll need to pair with an Android phone for full functionality (cellular streaming isn’t an option for iPhone users), and a Premium subscription is necessary regardless of platform. If you meet those criteria, though, you can leave your phone at home knowing you’ll still have access to all your tunes.

The upgrade also lets you add a YouTube Music tile for quick access to the browse section or your most recently played playlist. If you do need offline listening, Smart Downloads will automatically refresh your on-watch library whenever you’re connected to WiFi. The streaming upgrade should finish rolling out this week.

First-party music streaming on Wear OS has been problematic, to put it mildly. Google Play Music was available on the platform, but the app didn’t carry over when the company shut down the service in 2020 and transitioned to the YouTube offering. YouTube Music came to Wear OS (with offline-only playback) in summer 2021, but it was initially restricted to the Galaxy Watch 4 and didn’t come to Wear OS 2 devices until September that year. You’ve had to turn to Spotify and other third-party services for streaming, and in some cases it wasn’t an option at all.

There’s plenty of pressure to add streaming, though. Google is releasing the Pixel Watch this fall with optional LTE, and it wouldn’t look good if you couldn’t stream the company’s music service on its official smartwatch. The improved YouTube Music app should ensure a consistent experience when the Pixel wristwear arrives, at least if you’re determined to use an all-Google setup.

YouTube’s player now shows the most popular parts of a video

YouTube is making it easier to find the best moments in a video. The service is updating its desktop and mobile video players with a previously experimental graph that shows the most popular (that is, replayed) segments. You might not have to use guesswork or chapter markers to jump past the fluff and get to the content you’re really there to watch.

The company has also teased plans to test an “easier” method of seeking the exact point in a video that you want to play. Rather than simply displaying a thumbnail for a given point, the player will show a visual timeline (below) that can indicate a scene change. The test will come “soon” to Premium subscribers through YouTube’s “new” section.

YouTube test with advanced seeking
Google

The additions join an existing wave of improvements, including an enhanced full-screen mode, auto-generated chapters and single-video looping. These latest upgrades are more targeted, however— YouTube is clearly aware that you might not want to sit through a whole video just to find the snippet you’re really looking for.

YouTube will let creators co-host shopping livestreams

Last year, YouTube debuted a feature that let viewers shop products directly from a livestream. It’ll take that feature a step further later this year by allowing creators to co-host live shopping streams across two channels, it announced at its annual Brandcast event. It also unveiled a new “redirects” feature that will let YouTubers work more closely with brands.

YouTube said the features will be a way to help creators and advertisers make more “meaningful connections” with their audiences. The first allows two channels to go live and cohost together, “uniting their communities in a single live shopping stream,” YouTube said. The other is called live redirects, letting creators start a shopping livestream on their own channel, then redirect to a brand’s channel for fans to keep watching. 

With the new features, YouTube is taking live shopping to a new level in order to take on terrestrial shopping channels. It’s not a coincidence that it hosted Brandcast at the so-called “Upfronts” sessions used by TV channels broadcasters to promote new content to advertisers, rather than the digital equivalent, NewFronts. 

While most broadcasters flaunt original programming at Upfronts (the first live version in three years), YouTube focused on live shopping, short-form video and high-profile creators like Mr.Beast, Patrick Starr and Marques Brownlee. It also noted that the Media Rating Council accredited YouTube again for content-level brand safety, making it the only platform with the rating. As mentioned, the co-hosting feature will arrive sometime in 2022, but there’s no word yet on when we’ll see the brand redirects feature.