The UK is inviting Elon Musk to discuss his plans for Twitter

Elon Musk’s $44 billion Twitter acquisition hasn’t even been finalized yet, but UK’s MPs are already inviting him to discuss the changes he wants to implement for the website. The UK House of Commons Digital, Culture, Media and Sport (DCMS) Select Committee MPs told Musk in a letter (PDF) that they’re particularly interested in hearing about his intention to roll out verification for all users. They said it echoes their calls on the government as part of a proposed legislation. 

Committee Chairperson Julian Knight also wrote:

“Our 2020 Report on Misinformation in the Covid ‘Infodemic’ called for greater transparency of bots and automated and spam accounts, whilst our recent Report on the UK’s Online Safety Bill discussed ways to balance civil liberties like freedom of expression with the need to tackle pernicious, pervasive online child sexual exploitation and abuse.”

That suggests that the MPs are looking to discuss the balance between freedom of speech and censorship on the platform and how Musk plans to tackle it. The multi-company exec previously described himself as a “free-speech absolutist,” and it remains to be see if and how that will change Twitter’s moderation practices. 

Twitter under Musk might start charging users to embed tweets from verified accounts, according to a report from Reuters. He also reportedly suggested changes to Twitter Blue, the website’s subscription service, to make it more appealing to paying users. In addition, he reportedly floated the idea of job cuts in talks with banks to secure financing for his buyout. More recently, he tweeted that the website will remain free for casual users, but that it might start charging commercial entities and government agencies.

The MPs letter is only an invitation, however, and Musk isn’t legally required to attend. Their committee has a history of summoning CEOs that don’t show up, but that hasn’t stopped them from trying to get execs to talk. Meta chief Mark Zuckerberg, for instance, previously refused their requests and only sent a representative to appear before the committee.

知床観光船事故／「犯罪まがい」のメディアスクラム／3歳女児の祖父の「憤り」を黙殺するマスコミ

北海道の知床半島沖で26人が乗った観光船が沈没した事故。 依然多くの乗客が行方不明となっている大惨事だが、マスコミの取材姿勢は目に余るものがあった。現地で遺族を苦しませる「マスコミ加害」の実態をお伝えする。 慰安旅行「ご一行様歓迎」の賑わい 事故発生の翌日4月24日朝。 知床半島に最も近い女満別空港の到着…

Blizzard gives sneak peek of new mobile game ‘Warcraft Arclight Rumble’

Warcraft fans can look forward to a new mobile game in 2022. Blizzard today released the trailer for Warcraft Arclight Rumble, a free-to-play, single-player strategy game that is due later this year. The game features collectible Warcraft Minis th…

Twitter ‘Circle’ test limits tweets to close friends

You might not have to tweet to all your followers (or the public) in the future. Twitter is testing a “Circle” feature that lets you limit tweets to a group of as many as 150 people. It’s a not-so-subtle parallel to Instagram’s Close Friends — you can ask for advice or share a personal event without unwelcome commentary.

The company told Engadget Circle is already available to a “small group” of Android, iOS and web users worldwide. It’s not yet clear if or when Twitter might expand the test to a wider audience, although that will likely hinge on feedback.

Circle joins a number of features meant to control the reach of Twitter posts, including an option to restrict who can reply. It could help Twitter compete with Instagram and other services that let you be more selective about content sharing, and might help you protect your privacy without resorting to direct messages or a small follower list.

At the same time, there is a concern Circle might exacerbate echo chambers. If you frequently limit discussions to a small clique, you might be less inclined to tweet to a larger crowd or see what your more distant connections are saying. Even so, more granularity might be appreciated at a time when it’s all too easy to be overwhelmed.

Splice CoSo enlists AI to help you create music quickly with samples

Splice, the popular music production service with a seemingly bottomless supply of samples, has just unveiled a new way to find inspiration from those sounds. CoSo is what it calls an “intelligent musical sketch pad” that lets you create “using your ear to find what appeals to you,” the company wrote in a press release.  

CoSo allows you to you stack up to eight samples based on genre or instrument type to quickly create loops, with a big assist from AI. Everything stays (more or less) in key and in time, and you can swipe to delete a sample or swap in a new one automatically. You can also solo specific loops (or mute them) by pressing and holding. 

Once you create a loop, it’s easy to share it on TikTok and the ability to export as an Ableton-ready project file is coming soon. We’ve attached an example of what a creation looks like when shared via links, showing the final result and sounds used. 

Splice has countless millions of samples, so dredging through them for good stuff can be tedious, particularly if you’re not sure what you’re looking for or want to avoid overused samples. Still, the app could be a good way of sparking inspiration as a form of musical roulette, or as a musical fidget toy, much like the novice-friendly Orba music device.  

“I believe we will hear a richer and more diverse selection of sounds bubbling up through this technology, that we might surprise creatives with new ideas,” said Ale Koretzy, who heads the ML and Audio Science Innovation Team at Splice. “Some people will use it to discover sounds and others will use it to create music.” CoSo is now available for Android and iOS devices.

Update 5/3 8:55AM ET: The story has been updated to clarify that Ableton exports are not live yet, but “coming soon” according to Splice.

Facebook will shut down its podcast service on June 3rd

Facebook’s podcast offerings are vanishing just a year after they launched. Parent company Meta has confirmed to Bloomberg that it will wind down podcasting, Soundbites and its general audio hub. It will no longer let podcasters add shows to Facebook as of this week, and will remove them entirely on June 3rd. The hub and Soundbites will close sometime in the “coming weeks,” while Live Audio Rooms will fold into Facebook Live. 

A Meta spokesperson characterized the move as a matter of concentration. The move will help Meta “focus on the most meaningful experiences,” according to the representative.

There were hints in recent weeks that Meta was losing interest in podcasts and shifting attention to hotter products like Facebook’s main feed and Instagram’s Reels. There was a good response to audio services, a Meta spokesperson told Bloomberg in mid-April, but the news outlet’s sources said the social media firm was more interested in highlighting the metaverse and shopping when talking to podcast partners. Simply speaking, Meta’s interests in conquering AR, VR and rivals like TikTok may have pulled its attention away from audio.

Facebook also has fiercer competition in the sound-only realm. Podcast app operators like Apple and Spotify were already major threats, but there was also a flood of efforts to mimic Clubhouse in 2021. Meta had to pit Facebook’s services against the likes of Twitter Spaces and Reddit Talk. There was no guarantee Facebook would stand out in this market, even with a well-known name and massive resources at its disposal.

Peacock will start streaming Lionsgate movies like ‘John Wick 4’ in 2024

Peacock has signed a multiyear deal to stream Lionsgate movies, starting in 2024. The agreement starts with the studio’s 2022 slate and the first film that will reach Peacock as part of the deal is The Unbearable Weight of Massive Talent, which stars Nicolas Cage.

Other Lionsgate movies that will eventually end up on Peacock for an exclusive streaming period include John Wick: Chapter 4, Borderlands and Hunger Games prequel The Ballad of Songbirds and Snakes. The deal also covers Expendables 4 (or, ugh, Expend4bles), Are You There God? It’s Me, Margaret and White Bird: A Wonder Story.

Peacock won’t be the first to get its hands on these films, however, as they’ll ping pong between various platforms in the coming years. They’ll initially stream on Starz, and then for a while they’ll be available to watch for free on The Roku Channel.

Also on Monday, Peacock announced that three movies from its NBCUniversal sibling Universal Pictures will debut as streaming exclusives in 2023. They include The Killer, John Woo’s remake of his own classic 1989 thriller. Also on the way are Praise This (which stars Chloe Bailey) and Shooting Stars, a LeBron James biopic covering his years as a high school basketball player.

Embracer is buying Tomb Raider, Deus Ex and three Square Enix game studios

Swedish game company Embracer Group has just made a blockbuster deal to acquire Crystal Dynamics, Eidos-Montréal and Square Enix Montréal for what seems like a bargain $300 million price, the company confirmed in a press release. The deal includes a “catalogue of IPs including Tomb Raider, Deus Ex, Thief, Legacy of Kain and more than 50 back-catalogue games from Square Enix Holdings,” it wrote. The transaction is subject to regulatory approval. 

Those studios represent around 1,100 employees across eight global locations, the company noted. When the deal is finalized, Embracer will have 14,000 employees, 10,000 game developers and 124 internal studios. It has more than 230 games in development, with 30 of those being AAA titles. “This acquisition will bring additional scale to Embracer’s current AAA segment, and Embracer will have one of the largest pipelines of PC/Console games content across the industry, across all genres,” it said. 

As part of the deal, Eidos Montreal plans to revive Deus Ex and use new Unreal Engine 5 technology, the studio said during the acquisition conference call, as Shack News reported. “At this time, we are crazy people who have decided to revive the Deus Ex IP as our first game,” Eidos Montreal Studio Head David Anfossi said. “A new team, a very complex production, a new tech, and a new studio, an easy challenge.” Anfossi noted that Deus Ex console sales have exceeded 12 million units. 

Last month, Crystal Dynamics announced that it was developing a new Tomb Raider game, also based on Unreal Engine 5, with plans to “push the envelope of fidelity.” The studio also developed Marvel’s Avengers, among other titles. Eidos Montréal created Thief 4, Deus Ex Human Revolution, Shadow of the Tomb Raider and more, and is “working on a host of AAA projects including both new releases from beloved franchises and original IP,” according to the Embracer press release. 

As we detailed in a feature last year, Embracer is perhaps “the biggest games publisher you’ve never heard of,” founded by Swedish entrepreneur Lars Wingefors. It made a string of acquisitions over the last couple of years, most significantly purchasing Saber Interactive for $525 million and Gearbox Software for $1.3 billion.

It now own quite a list of iconic franchises, particularly in the classic category. On top of the newly acquired IP, it controls Saints Row, Goat Simulator, Dead Island, Metro, TimeSplitters, Borderlands, Darksiders, MX vs ATV, Kingdoms of Amalur, Satisfactory, Wreckfest, Insurgency and World War Z. For some of those like TimeSplitters, the company has promised new titles from the original developers.

ウクライナ解説で防衛研究所の突出したテレビ出演を懸念

防衛職員が連日のコメンテーターの異様 ロシアのウクライン侵略の報道で、連日連夜、防衛研究所のスタッフがテレビ番組に登場するのを見て、「ジャーナリズムの一環に食い込んでしまったようで、やりすぎではないか」と、思ってきました。国家・国家機関とメディアは適度の距離を置いた存在でならなければならないのです…