Building upon the success of the EQS and the launch of the EQE, Mercedes has another electric vehicle on the way to the United States. This time it’s more in line with what the US wants: an SUV.
The oddly named EQS SUV is to the sedan EQS what the GLS is to the regular S-Class — an upright take on its ultra high-end model. It was unveiled recently in Germany and we got a chance to check out the taller electric vehicle from Mercedes. In addition to having room for seven, the electric SUV has an off-road mode and special running boards that help reduce drag.
While Mercedes is mum on pricing and range details for the US, we do know that its European range will be “up to 600 kilometers” based on the WLTP standard, which should make the range top out at a shade over 300 miles in the US’ more stringent EPA ratings. As for pricing, well, the regular EQS starts at just over $100,000 so the SUV is going to be in a similar bracket to Tesla’s Model X. The car’ll be built in the US and available this fall, and you can watch the video above for the full story.
Samsung has unveiled the Pokémon Edition of its Galaxy Z Flip 3 foldable smartphone that’s bound to be irresistible to collectors. It comes in a special box with a number of Pokémon-themed accessories, including a Pikachu picture case (with a Pokémon Custom Pack), a Pikachu Clear Cover Set, a Pokémon Pouch with a lanyard strap, a Pikachu keychain and a Poké Ball stand. It’ll also have some Pokémon-edition ringtones, themes and wallpapers.
The model is coming along at a good time, as a Pokémon Bread craze has apparently taken South Korea by storm, according to Maekyung.com. Collectors are mostly buying them for the Pokémon stickers contained inside, which are reportedly selling for 10 times the price of the $1.20 bread.
Samsung has released custom versions of its foldable phones before, including the Thom Browne Edition of the Galaxy Flip 3 and and Fold 3. Judging by the reaction of some of my Engadget colleagues, though, Samsung has nailed the Pokémon Edition’s design and accessories. It has yet to release the price and other details, but it’s likely to be sold only in Korea — we’ll learn all when it drops on April 25th.
The third season of Netflix’s animation anthology Love, Death and Robots will bow on May 20th. The streamer teased the release with a short video showing the same adult-oriented themes and wide variety of animation styles as the previous volumes.
The series is produced by Tim Miller and David Fincher, who has a four-year exclusivity deal with Netflix. In the trailer, Netflix showed short clips of The Crown, The Queen’s Gambit and other shows as a way to contrast them with the far more intense “problem child” animated show. “The threesome you’ve been waiting for,” the tagline states.
The styles run the gamut from hyper-realistic with a Gulliver-like character to 2D cel animation, with just about everything in between. The series has garnered solid critic reviews on Rotten Tomatoes, though audience scores dropped in volume 2 when it toned down the nudity and gore. The number of episodes also dropped in the second season with eight compared to 18 in volume 1. Netflix didn’t say how many episodes are coming with volume 3, but you’ll only have to wait a day to find out.
Because the pandemic has caused me to spend more time at my PC than ever before, things like carpal tunnel syndrome and other repetitive stress injuries have become a growing concern. And while the MX Vertical is one of the best gadgets to help avoid straining your tendons, its bulky dimensions meant it never really worked for me. But with the new Lift, Logitech finally has a great alternative for people with smaller hands.
Priced at $70 and available in three colors (graphite, rose and off-wite), Logitech says the Lift was developed by its Ergo Lab following feedback from employees and customers who, like me, were put off by the size of the MX Vertical. So after multiple rounds of user testing and approval from third-party ergonomic institutions, the company settled on a sleeker model that’s 22 percent smaller than before.
Sam Rutherford/Engadget
Now that might not sound like much, but as a guy with medium-sized hands, the difference is immediately apparent. When I tested both of Logitech’s offerings side by side, the Lift felt nimbler and more natural, while the MX Vertical felt like holding a softball.
To further enhance all-day usability, the Lift features a 57-degree vertical design the company says more closely mimics a person’s natural arm and wrist posture, while a handy thumb rest and soft rubber coating help provide a firm, non-slip grip. And unlike the MX Vertical, the Lift even comes in both right and left-handed versions, so there’s something for everyone.
Here’s a size comparison between the MX Vertical (left) and the new Lift (right).
Sam Rutherford/Engadget
Notably, while the Lift doesn’t carry the MX designation of Logitech most premium peripherals, the mouse still features a smooth magnetic SmartWheel and can be paired with up to three devices simultaneously via Bluetooth or the Logi Bolt receiver (which comes included). But one of my favorite things about the Lift is that aside from the clicky thumb buttons, the scroll wheel and the left and right mouse buttons are super quiet, which is really nice if you don’t want to disturb your family or coworkers (especially if you’re working at night).
My only two minor gripes are that I would have preferred a rechargeable design and that Logitech still doesn’t make a USB-C version of its receiver. That said, longevity probably won’t be a major issue with a claimed battery life of 24 months from a single AA battery. And if you have a PC that only has USB-C ports, there’s a good chance you already have the necessary adapter lying around.
Sam Rutherford/Engadget
Overall, while I know that Lift isn’t really a groundbreaking product, I appreciate Logitech’s drive to make its ergonomic devices more accessible. With the ongoing shift to working remotely, I’ve been trying to take stock of my home office and eliminate any items that are causing undue stress. And while I’m not sure I could switch to the Lift full-time as it isn’t great for gaming, I noticed even using it for an hour or two made a big impact on how my wrist felt at the end of the day. So while it’s not quite as sophisticated as the $100 MX Vertical, from what I’ve seen so far, the Lift is a comfy and even more affordable option to upgrade your everyday work setup.
Bang & Olufsen has long offered true wireless earbuds, but its designs have all been monolithic models that might not fit as well as you’d like. The company is finally shaking things up, however, by introducing the Beoplay EX. It’s B&O’s first set of earbuds with an AirPods-like stem design, and the audio brand is promising a more comfortable fit thanks to the smaller in-ear housing. Whether or not you consider them more fashionable than AirPods is more a matter of opinion, but the black, black-and-blue and gold colors at least beat Apple’s signature white for variety.
It’s too early to say if B&O’s claims of “superior sound” match reality. The Beoplay EX design allows for the company’s largest-ever (9.2mm) drivers in wireless earbuds, though, so you’ll at least get more power than in past models. B&O further boasts of improved call quality and Bluetooth 5.2 support.
And yes, you’ll get the features that are virtually mandatory in upscale earbuds. You can expect active noise cancellation, IP57 dust/water resistance, two-device pairing and a battery case with wireless charging support. B&O is estimating a healthy (if increasingly expected) six hours of listening with ANC enabled, and a total 20 hours of playback when you use the case.
The caveat, as you’d imagine, is the price. B&O is selling the Beoplay EX for $399. That’s on par with past models like the Beoplay EQ, but they’re considerably more expensive than the AirPods Pro, not to mention other comparable buds like Sennheiser’s Momentum True Wireless 2 and Sony’s WF-1000XM4. Still, this is likely your top pick if you prefer B&O’s sound and minimalist design.
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If Exploding Kittens is still a part of your party game repertoire several years later, Netflix has just the news you were hoping to hear. The streaming service is introducing an “exclusive” version of the Exploding Kittensmobile game as well as an animated TV series. The adult-oriented show will be executive-produced by card game creators Elan Lee and Matthew “The Oatmeal” Inman as well as veterans like Mike Judge, and will star well-known personalities including Lucy Liu (Kill Bill) and Tom Ellis (Lucifer).
The series revolves around a holy war that sees God and the Devil visit Earth in the form of beefy house cats. It won’t stream on Netflix until 2023, but the upgraded game is due in May with two new cards and promises of future gameplay based on the show.
Netflix is keen to note this is will be the first time it launches both a game and a series from the same franchise (Stranger Things doesn’t count, apparently). While the game certainly wasn’t built from scratch, the company not-so-subtly hinted that it might repeat this simultaneous development strategy going forward — don’t be surprised if more games and shows arrive in tandem.
Blackmagic Design has unveiled a raft of new products including the DaVinci Resolve 18 video editing/color correction app and Blackmagic Cloud, a cloud collaboration system designed for editors, VFX artists and others. It also launched the “Cloud Store” networked storage box that uses a familiar-looking enclosure.
The key product is DaVinci Resolve 18 which now includes a feature called Blackmagic Cloud designed to help content creators work together. Multiple users around the world can instantly share projects, allowing editors, colorists, VFX artists and audio engineers to collaborate in real time on the same timeline.
Blackmagic Design
A big part of that is the Blackmagic Proxy Generator App, which automatically generates smallish proxy video files (H.264, H.265 and Apple ProRes) that can be transferred quickly by internet. The idea is that remote editors can complete their work on proxies, then the colorist or VFX editor could automatically relink to the much larger original camera files. It also has new intelligent media location management, eliminating the need to manually relink or search for video, music and other assets.
Resolve 18 also introduces new creative features, with the biggest being a new object mask that can recognize and track thousands of types of objects. “The DaVinci Neural Engine intuitively isolates animals, vehicles, people and food, plus countless other elements for advanced secondary grading and effects application,” Blackmagic wrote in a press release.
It also lets you create a 3D depth matte of a scene to quickly color grade the foreground separately from the background. Another cool feature it demonstrated was a warp tracker that lets you create a mesh over complex objects like the logo on someone’s T-shirt, then erase it or replace it with something else in a way that looks natural and realistic.
There are a host of other new features like “ultra beauty” for corrective beauty work, new transitions, improved subtitle support and more — check Blackmagic’s press release for a detailed list. DaVinci Resolve 18 beta is now available to download for free, or you can pay $295 for the Studio version.
Blackmagic also announced Cloud Store, a networked storage box that uses the same enclosure as its eGPU for Intel Macs. The idea is that you can load it up with 20TB, 80TB or 320TB of storage built from high speed M.2 SSDs. It uses a RAID 5 configuration for fault tolerance and has enough speed to completely saturate the four 10G Ethernet connections. “It’s so fast, multicam editing is incredibly smooth, even if it’s used with massive digital film camera files,” the company said.
Blackmagic used the eGPU box as it has a reasonably professional look, and it’s also nearly silent so it can be placed right on a desktop. Each port can be plugged into a separate computer or used together for 40G Ethernet. It has a USB-C to Ethernet adapter built in so it can be plugged directly into the USB-C port on a laptop for location work, for example. It can sync footage with multiple editors using Dropbox files, which can automatically be moved to the Blackmagic Cloud for collaboration.
The Cloud Store is designed for professional installations, so it’s priced at $10,000 for the 20TB model and $30,000 for the 80TB model (that storage includes the extra RAID 5 parity drives required). There’s no pricing for the 320GB box, but it might be over $100K. If all that’s too much, Blackmagic Design also unveiled the Cloud Store Mini priced at $3,000 for 10TB with fewer ports and RAID 0 (no redundancy), along with the $395 Cloud Pod, a “bring your own disk” setup with 10G connectivity.
Blackmagic Design
Finally, Blackmagic launched the HyperDeck Shuttle HD, a recorder/player designed to be used on the desktop with products like the Atem Mini switcher. You can playback media from USB-C disks or SD cards, or record an HDMI signal from a camera or other source. From there, you can scroll through footage using the jog dial and even use it as a teleprompter. The HyperDeck Shuttle HD is now available for $495.
