Amazon AMP preview: Like the app, my radio show needs a little work

I spent about an hour hand-picking songs for my first Amazon AMP radio show. The social-audio-but-with-music app offers the chance to play radio DJ with just a phone and your imagination. I tried to pick a catchy name for my debut broadcast – “The best House Classics” or something like that. Like all music bores, I was confident I was about to blow some minds with my impeccable taste and hand-picked floor fillers. All that was left to do was click the “Go Live” button. Once you tap it, the app counts you down 5…4…3… . I cleared my throat and then… silence.

AMP was initially reported as something of a Clubhouse competitor, but that’s not really the best way to describe it. Yes, you can sorta-kinda use it as a live chat platform, but music is really the selling point here. When you create a “show” you can add songs from Amazon Music’s library and then stream them to your audience. In between hosts are doing anything from chatting about sports, to comedy skits, having guests call in or just letting the music play. On paper, it’s the app teenage me, with his dual cassette deck and microphone, had been waiting for all his life. It’s just a shame that, right now in its beta form, no one’s really listening.

I’ve spent the last week or two exploring the app and hosting shows and I barely peaked at four simultaneous listeners. Briefly. Usually I was lucky to get one or two people tuning in, but more often than not I was alone. And I definitely didn’t do a whole hour-long show talking to myself in between ‘90s drum & bass tracks. Definitely not a thing that happened. Twice.

Three screenshots showing different users profiles for users of Amazon AMP.
Engadget

It’s hard to tell if this is a true reflection of the interest in AMP, given it’s in beta. It’s not difficult to get in, as long as you have access to the US App Store / have an iPhone. Technically you also need an invite code, but given that the official AMP Twitter account has one right up top, the app is basically open to everyone who meets the first two criteria.

I speculated I am at a disadvantage being located in Europe, so my shows tend to fall in the middle of the American work day. But I checked the app regularly and even at typical US commute and evening times other people’s shows rarely had more than 10 listeners, usually half that. But again, this is a beta so not an indication of too much. I bring it up now though for the following reason: without a listener, you cannot play songs and that presents a problem. Hence the silence at the start of my big debut show.

In fact, there are a few more restrictions. Not only must you have at least one listener to play music, you can only play two songs from the same album or three songs from the same artist within a three hour period. These rules make some sense to prevent the free app being abused. But also that presents a big problem during the beta stage. If I have no listeners, I can’t play a song… so I can only talk. But what is the point of talking if no one is listening?

It certainly made for some intimate moments. I joined someone’s show when they currently had no listeners. I could practically hear the host excitedly rushing to play a song now that they could. I then enjoyed a 1-on-1 human-curated show of hip-hop. Likewise for my own shows, there were definitely some weird moments when I realized it’s just me playing songs for someone else. I ended up using a second account on a spare phone so I wouldn’t have to wait for someone to join (hence the DnB party for one) to fully test the service for this story. This should be less of a problem in the future, but it was frustrating at the start, waiting up to 30 minutes sometimes for a listener to join so you could kick a song off.

Amazon also imposes other curious rules that seem a little ornery if not hard to enforce. For example, you may not make a show consisting mostly of listener requests, you may not announce playlists ahead of time and you may not announce a song until just before it is being played. The difference between can and may I’ll leave up to you.

Setting up a show is straightforward. Tap the button top left, add a title, choose some topics (tags), type a description and then either add songs to a playlist or just throw caution to the wind and go live, adding songs later. I’d recommend having a playlist fleshed out because navigating the song menu screen isn’t very slick right now. You can only enter global search terms – there’s no filter by artist or song title or genre etc. – so finding what you want can sometimes be hit and miss.

More importantly, the library doesn’t seem to be fully fleshed out right now. AMP’s official help pages claim there are “tens of millions of songs” but I sometimes couldn’t find what I was looking for. To be fair, this was usually down to my weird taste in niche ‘90s dance music but I did find songs on decent-size labels that were absent.

For example, “Gold Dust” by DJ Fresh is on Amazon Music for sure, but it wasn’t available in AMP. This is a real crime as anyone who knows that track will attest. I did check again over a week later and saw that a remix had since been added, so it seems the library is growing in real time. More surprisingly, another time I looked for a track by Hot Chip and noticed only half of their albums were listed.

A related issue is that you can’t preview tracks before adding them to your playlist. In my case, that meant a few occasions where I had found a version of the song I wanted, but golly was it not the one I was expecting when I played it, making for a slightly awkward record scratch moment. If you have better taste in music than I, you’re probably fine, but if you were hoping to spin niche cuts or even some fairly well known synthpop you might want to revise that plan for now.

I know AMP is designed to be a mobile-first experience, but I do wish there were at least some tools to prep your show on desktop first. I often resorted to finding tunes on my PC and then just looking up tracks on the phone while setting up the show. I also learned the hard way that if you schedule a show for the future and then sleep through the time it was set for, the show and all the tracks you added to it disappears (I’d at least have liked the option to reschedule it!).

Relatedly, you can’t add tracks to some sort of “record box” or bookmark them for later shows. I found myself thinking of great tunes for other shows but had to just keep a notepad going for later reference. Likewise, once you finish a show, that’s it, poof… gone. There’s no way for people to go back and listen again or scroll through your feed to see what you tend to play etc.

Screenshots from the AMP app showing how many listeners and likes a show received.
Engadget

In its current state, the app also doesn’t offer any way to fade out a song or speak over it while it’s playing. This seems minor, but it does mean you either have to wait until the bitter end of a song before you talk (and then with no music “bed”) or cut a track off prematurely. I heard people doing both but it would be nice to have a more gentle way to transition tracks.

Once your show is over, AMP will give you a little slide show of stats. As you can imagine, this was a bit painful for me as it gleefully told me I peaked at two listeners and had one like, but this would definitely be cool once you have an audience.

Amazon has enlisted some popular creators to showcase the platform and give it some gravitas. These are instantly identifiable as they will be the only shows with a bunch of people listening. AMP promotes these accounts and they are featured on the website, but I do wonder where all these listeners go the rest of the time. The fact you can’t currently click on the show’s listener count to see who’s tuning in means you can’t size up potential listeners for your own show.

In fact, the “social media” element of the app is possibly the most limited part right now. For starters there’s no way to share a link to your show. I know the app is in beta, but given how open that is, I would have thought sharing links is a basic enough thing to enable. AMP offers links to recommended shows in its newsletters which you can adulterate to link to your own but you need the app installed for them to work so that’s still less than ideal.

Discovery is also not fully fleshed out at this point. When you open the app you’ll be presented with shows currently on air as you swipe through one by one. Then once you reach the end you’ll see what’s scheduled for the future, but right now there’s no real way to drill down by genre or topic. You can search, but a host needs to have scheduled shows for them to turn up in results.

It’s also clear that, right from the start, Amazon is trying to encourage diverse voices to join and host. The company was explicit about that in the run up to its launch, and it seems to be working. The types of show and the people behind them have all been refreshingly varied and this I feel is important to AMP finding its way to stand out. The music aspect alone makes it different from rivals like Clubhouse, Greenroom and even Twitter Spaces. But the voices it amplifies will be the secret sauce.

This for me was really the most rewarding part. I thought hosting my own shows would be fun, and it was, but it was the exposure to other music that was the most rewarding. I often joined shows with no listeners to allow them to kick off some tunes and then found myself staying. Other times I figured I’d dip into a show with a genre I don’t normally listen to and was more often than not surprised to find things I liked. Being a DJ is cool, but hearing new, hand-picked music is even cooler.

Rough edges aside, there’s a lot of promise here. It’s understandable that no one wants to listen to my favorite Happy Hardcore songs (the ones I could find on the app at least) at 2pm on a Wednesday. But if, like me, you kinda prefer the human touch over an algorithmic recommendation and the chance to stumble into new worlds of music then AMP makes a lot of sense. And of course, as with all such creator-based services as more people join, the culture and flavor of the platform starts to change organically (remember when TikTok was about people dancing to songs?). Once AMP is open to the public proper, it’ll be interesting to see where it goes. For now, if you want to hear rando dance music, I’ll be here… waiting.

Engadget Podcast: Elon Musk basically owns Twitter now. What happens next?

This week, our hosts are joined by senior editor Karissa Bell and Yahoo Finance’s Tech Editor Dan Howley to break down Elon Musk’s Twitter takeover. How did we get here, who supports this, what is left before Elon Musk officially owns Twitter (if regulatory approvals go through) and will our lives really be impacted? Then, guest cohost Sam Rutherford and Cherlynn talk about Google’s all-but-confirmed Pixel Watch and Android 13 before ranting about Motorola.

Listen below, or subscribe on your podcast app of choice. If you’ve got suggestions or topics you’d like covered on the show, be sure to email us or drop a note in the comments! And be sure to check out our other podcasts, the Morning After and Engadget News!

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Topics

  • Elon Musk bought Twitter for $44 billion: How, and more importantly, why? – 1:43

  • The Android 13 public beta is now live – 26:02

  • Dear Motorola, stop with the endless rehashes! – 39:15

  • Working on – 46:06

  • Pop culture picks – 50:04

Video livestream

Credits
Hosts: Cherlynn Low and Sam Rutherford
Guests: Karissa Bell and Dan Howley
Producer: Ben Ellman
Livestream producers: Julio Barrientos, Luke Brooks
Graphics artists: Luke Brooks, Brian Oh
Music: Dale North and Terrence O’Brien

Netflix’s Tudum lays off staff months after launch

Netflix assembled an impressive roster of writers and editors for its fan site project, Tudum, which launched in early December of 2021. Today, a significant portion of those new hires have been sent packing for reasons unknown. 

A swath of the site’s formerstaffannounced their departures today on Twitter, with former Vice culture writer Josh Terry claiming “laid off my team,” suggesting the cuts may be drastic. Netflix claims there are no plans to mothball the site. It declined to comment on the number of workers who were impacted but confirmed that some amount of staff and contractors had been let go; The Hollywood Report placed its estimate at least 10 people. 

All a Netflix spokesperson would tell Engadget on the record was that “our fan website Tudum is an important priority for the company.” 

Tudum was billed by Netflix on launch as “a backstage pass that lets you dig deeper into the Netflix films, series, and stars you love” — essentially an attempt to prop up a media business on the strength of the streaming platform’s original content. It’s not clear at this time what kind of change in staffing or strategy prompted this round of layoffs, who remains at the site or if the newly-separated writers and editors were given any advance notice. 

The job cuts come not long after Netflix announced during its quarterly earnings that it had lost subscribers (approximately 200,000 of them) for the first time in a decade. What followed was a swift and brutal backlash from the market that saw the streaming service’s share price drop by 25 percent. So far it’s plans to turn the ship around have been limited to trying to stop customers from sharing login information, and mulling the idea of a cheaper ad-supported subscription tier

Were you recently let go from Tudum? I’d like to hear from you. Download Signal messenger for iOS or Android and text me confidentially at 646 983 9846. 

Lizzo will perform in the first metaverse music awards show

Like it or not, the metaverse is becoming an increasingly popular music venue — including, apparently, for ceremonies. As Hollywood Reporterexplains, Logitech has revealed what it says is the first music awards show in the metaverse. The second annual Song Breaker Awards will take place in Roblox on April 30th at 1PM Eastern, with pop star Lizzo making her virtual performance debut. Social media star Bretman Rock will host.

The awards show will honor ten creators who either started or “amplified” internet trends, including musician Gayle (who has thrived on Billboard‘s Song Breaker Chart) and Grammy nominee Walker Hayes. Personalities like Jaden Smith, Roblox veteran MeganPlays and Twitch streamer Shroud will also make appearances. 

Logitech Song Breaker Awards show space in Roblox metaverse
Logitech

You can already access a pre-event “experience” and virtual Logitech store in Roblox. If you miss the main show, you can still watch two additional performances on the 30th (4PM and 5PM ET) and one on May 1st (12PM ET).

Yes, Logitech is capitalizing on Lizzo and overall metaverse buzz to draw attention to its gig. However, it’s really an extension of past efforts to bring music performances into digital spaces. Virtual concerts have been happening for years, and some of them have been hugely popular. The Song Breaker Awards just move that entertainment from a specific game to a full-fledged platform, and it won’t be surprising if there are similar awards presentations before long.

Snapchat is getting a suite of new editing tools called ‘director mode’

In case there was any doubt that Snap is among the many platforms trying to challenge TikTok, the company just introduced a new suite of creator-friendly editing tools called “director mode.” The company showed off the new editing tools, which are roll…

Xbox and Bethesda will hold a games showcase on June 12th

Although there’s no E3 this year, you can still expect a ton of gaming news to emerge in the coming weeks. Microsoft has announced an Xbox and Bethesda games showcase, which will take place on June 12th (yes, that’s a Sunday) at 1PM ET.

The event will include information on games from Xbox Game Studios, Bethesda and some of Microsoft’s partners. It sounds as if it’ll be pretty comprehensive, with the promise of details on “everything you need to know about the diverse lineup of games coming soon to the Xbox ecosystem.” That includes projects on the way to Game Pass for both Xbox and PC.

As for what to expect, it’s a safe bet that we’ll get a fresh look at Starfield. I’m hoping to hear more about Redfall, a vampire shooter Bethesda showed off last summer and hasn’t said a whole lot about since. There will surely be trailers and teasers for previously unannounced games too.

The event will be broadcast in 30 languages (including American Sign Language) on platforms including YouTube, Twitch, Twitter, Facebook and TikTok

In terms of other gaming events, Summer Game Fest will return this year. THQ Nordic has also set a showcase for August 12th.

Google will allow users to limit ads about parenting, weight loss and dating

YouTube and Gmail ads are about to get a little less annoying for some. Google today is adding parenting and pregnancy, weight loss and dating to its list of “sensitive categories” on user ad controls. Users will be able to restrict ads from these categories on both YouTube and Google Display. The ad filters won’t apply to Google search results or Google Shopping, but a spokesperson confirmed that this could happen in the future.

“Providing transparency and control has always been a priority for us so we’re expanding our tools, enabling the choice to see fewer pregnancy and parenting, dating, and weight loss ads. We’ll continue to listen to user feedback and study which categories to expand this feature to in the future,” said Karin Hennessy, group product manager for ad privacy at Google in a statement.

Targeted ads have come under fire for being particularly intrusive and even harmful for certain users. For example, alcoholics or gambling addicts could be triggered by ads for tequila and online casinos. Those who suffer from eating disorders or body dysmorphia could experience something similar with weight loss ads, and so platforms are trying to strike a delicate balance that keeps their users happy while not alienating their advertisers.

In response to accusations of discriminatory ads, Meta this year removed the ability for advertisers to target users based on sensitive topics, such as health, race or ethnicity, political affiliation, religion or sexual orientation. Twitter has also banned political ads and climate change denial ads from its platform. Both Facebook and Instagram block ads featuring weight loss products and cosmetic surgery targeted to minors. Instagram users can set their ad topic preferences so they’ll see fewer ads from certain categories. Google has already blocked targeted ads for users below the age of 18 years old, and in 2020 allowed users to limit how many ads they would encounter on the topics of gambling or alcohol. 

Given the sizable share of the online ad market it currently holds, Google’s decision to let users opt out of additional sensitive ad categories means those who might be harmed (or just annoyed) by them will hopefully be exposed to them less frequently.

CNN+ is shutting down earlier than planned

CNN is pulling the plug on its streaming service today, April 28th, instead of on April 30th like previously reported. The company has sent out emails to subscribers, and as Digital Trends reports, it clearly states that CNN+ streaming “will come to an end on April 28th.” The service launched just a month ago on March 29th, but it was only pulling in 10,000 daily users who were willing to pay $6 a month for live and on-demand news programming, according to CNBC. New CNN president Chris Licht was reportedly the one who recommended its closure, which might come with hundreds of job cuts. 

CNN invested hundreds of millions of dollars into the project and recruited talent from other networks to host shows for the platform. While the service was short-lived, CNN itself reported that the network is committed to finding new roles for the hosts of its shows.

Discovery CEO Jean-Briac Perrette informed employees about the closure in a meeting where he said that the situation was avoidable, but that “prior leadership decided to just keep going” with its planned March debut despite the impending merger between his company and CNN owner WarnerMedia. The merged company, Warner Bros. Discovery, had a different strategy in mind — it’s also billions in debt as a result of the merging process. 

In addition to informing subscribers in an email about the earlier-than-expected closure, CNN has also updated the service’s help page. The company stated in the page that all subscribers will receive a full refund. It didn’t say why CNN+ is shutting down a couple of days earlier than announced, but Digital Trends notes that it might be because subscriptions are about to renew. Some early adopters were able to sign up on March 28th, a day before the service’s official launch date. Whatever the reason is, subscribers can say goodbye to CNN+ today and expect to get their refund on May 28th.

Bethesda PC Launcher users can now start migrating to Steam

The time has come to say farewell to Bethesda’s PC games launcher. Starting today, players can transfer their games library, as well as DLC, virtual currency, in-game items and their friends list to their Steam account. Users still have until May 11th to play their heart out on the Bethesda PC launcher. On that date, the PC launcher will no longer allow access to any games. But users can still access their Bethesda.net accounts and transfer their games over to Steam after May 11th.

Players who are ready to migrate should make sure to read the detailed instructions on Bethesda’s website first. Any games users already own or purchases they’ve made will be available free on Steam. But keep in mind that the transferring process could get a bit hairy. While most game saves will automatically transfer, some will require players to manually transfer them over to Steam. For example, DOOM Eternal players will have to manually copy their saved files to their Steam folder. Bethesda has some updated instructions for DOOM Eternal players here. Fallout 76 players should note that there’s a special tool available to help make the migration easier, as well as an extensive FAQ they should read first. Wolfenstein: Youngblood at present isn’t available for transfer, so players won’t be able to carry over their progression on that game to Steam. But in-game skins and DLCs should transfer normally.

While migrating your library may seem annoying, Bethesda is sweetening the pot by making a number of new games available on Steam for the first time. These include The Elder Scrolls Arena, The Elder Scrolls Daggerfall, Creation Kit for Fallout 4 and Skyrim Special Edition, and Wolfenstein: Enemy Territory. Fallout 76’s Public Test Server is now available on Steam as well.