A new ‘Black Mirror’ season is in the works after a long hiatus

It seems Black Mirror is making a comeback. Three years after the fifth season of the sci-fi anthology series arrived, Variety reports that Netflix has greenlit a sixth season.

Details are scant for now, though it seems casting is in progress for a season that’s expected to have more episodes than season five’s three instalments. The new episodes are said to be even more cinematic in scope than previous ones as well.

Critics have suggested Black Mirror was running out of steam in later seasons, with its previously incisive criticism of where technology was headed perhaps waning. The long gap between seasons might have helped the creative team develop more impactful ideas and scripts.

The lengthy delay between seasons isn’t only because of creative reasons, though (if that has indeed been a problem). Black Mirror has been held up due to a rights issue. In January 2020, creator Charlie Brooker and executive producer Annabel Jones left their production company House of Tomorrow, which had backing from Endemol.

The duo set up a new production company, Broke and Bones, which quickly struck a long-term deal with Netflix. However, Endemol retained the rights to Black Mirror, meaning Brooker and Jones were unable to produce more episodes until they or Netflix struck a deal with Endemol’s new owner, Banijay Group.

In the meantime, Brooker and Jones have developed other projects for Netflix. They created a year-in-review special called Death to 2020 (a spin on Brooker’s previous Wipe series), which had a sequel last year. Brooker was also behind an interactive animated project called Cat Burglar, which required players to get trivia questions correct to advance the story.

Netflix will surely be glad Brooker and Jones are working on Black Mirror again, however. The company scooped up the series, which debuted on the UK’s Channel 4, in 2015. Since then, Black Mirror has won eight Emmys and a host of other awards, including for Bandersnatch, one of Netflix’s first forays into interactive programming.

Biden administration launches $45 billion plan to get the entire US online by 2030

The Biden administration has formally started its $45 billion effort to bring affordable and reliable high-speed broadband internet access to everyone in the US by 2030. The Internet for All funding is part of the $65 billion earmarked for broadband in the $1 trillion Bipartisan Infrastructure Law. Starting today, states and other entities can apply for funding from three Internet for All programs.

“In the 21st century, you simply cannot participate in the economy if you don’t have access to reliable, affordable high-speed internet,” Commerce Secretary Gina Raimondo, who is overseeing the distribution of the funds, said. “Thanks to President Biden’s Bipartisan Infrastructure Law, Americans across the country will no longer be held back by a lack of high-speed internet access. We are going to ensure every American will have access to technologies that allow them to attend class, start a small business, visit with their doctor and participate in the modern economy.”

States could use the funding to install fiber-optic cables, put more Wi-Fi networks in place or even offer some people free broadband internet access. The launch of the program follows news earlier this week that the Biden administration has teamed up with 20 providers to offer subsidized internet service to low-income households.

Most of the Internet for All funding will be available from the Broadband Equity, Access and Deployment (BEAD) Program. States and other territories will need to file a letter of intent and a budget for planning funds. They’ll then receive $5 million in planning funds to help them put together a five-year plan detailing how they’ll provide comprehensive internet access to all residents.

Each state that takes part in the program will receive at least $100 million from the BEAD pot of $42.5 billion. After that, funding allocations will be decided in part based on updated broadband coverage maps that the Federal Communications Commission is expected to release this fall.

Under the $1 billion Enabling Middle Mile Broadband Infrastructure Program, funding will be allocated based on a “technology-neutral, competitive basis” to build, buy or improve infrastructure elements that carry “large amounts of data at high speeds over long distances.” As for the $1.5 billion State Digital Equity Planning Grant Program, that’s designed to bolster adoption and use of the internet with the help of digital literacy training.

Scientists grow plants in soil from the Moon for the first time

Scientists from the University of Florida have completed a world (and lunar) first by growing plants in soil from the Moon. The researchers used samples obtained by the Apollo 11, 12 and 17 missions, but they didn’t have much to work with.

While a total of 842 pounds (382 kilograms) of soil and rocks has been brought back to Earth from the Moon, the researchers received just 12 grams of so-called “lunar regolith” from NASA. Still, that was more than the four grams they requested. Scientists Rob Ferl and Anna-Lisa Paul had to be patient to get their hands on the soil as well — they applied three times over 11 years for the samples.

The team used thimble-sized wells in plastic plates, which are typically used to culture cells, as pots. The scientists placed a gram of soil into each of these, added a nutrient solution and then placed a few thale cress (Arabidopsis thaliana) seeds. They planted the seeds in other types of soil as part of a control group, including simulated Martian soil, soils from extreme environments and a substance that mimics lunar soil.

Nearly all of the seeds planted in the lunar regolith sprouted, but the plants eventually showed some differences from the ones grown in the control group. Some of the Moon dirt plants grew slower or were smaller. There was more variation in sizes than with the control group cress as well.

The scientists, who published their research in the journal Communications Biology, found that differences in the makeup of the lunar soil samples appear to have impacted the growth of the plants. They determined the cress that struggled the most was grown in what’s known as mature lunar soil, which is exposed to more cosmic wind.

In particular, as The Guardian notes, samples from Apollo 11 were deemed the least effective for growing plants. Those were obtained from the older surface of the Sea of Tranquility, which had a couple of billion years more exposure to the environment. The researchers wrote that “further characterization and optimization would be required before regolith can be considered a routine in situ resource, particularly in locations where the regolith is highly mature.”

Still, the success of the experiment paves the way for the possibility of growing plants on the Moon for food and oxygen, ahead of NASA’s Artemis Program taking humans back to the lunar surface for the first time since 1972. “Artemis will require a better understanding of how to grow plants in space,” Ferl, one of the paper’s authors and a distinguished professor of horticultural sciences in the UF Institute of Food and Agricultural Sciences, said.

TikTok faces lawsuit over ‘blackout challenge’ content

TikTok and parent company ByteDance have been accused of negligence after the death of a 10-year-old who allegedly attempted a challenge she saw on the app. According to the wrongful death suit, Nylah Anderson was found unconscious in her bedroom in Pennsylvania on December 7th. She was taken to hospital but died after five days in pediatric intensive care.

Nylah’s mother Tawainna claimed her daughter attempted the “blackout challenge,” which encourages people to hold their breath or otherwise asphyxiate themselves until they pass out. Nylah saw a video about the challenge on the For You page “as a result of TikTok’s algorithm,” the suit said, according to NBC News. “The TikTok defendants’ algorithm determined that the deadly blackout challenge was well-tailored and likely to be of interest to 10-year-old Nylah Anderson, and she died as a result.”

“I want to hold this company accountable,” Tawainna said at a press conference. “It is time that these dangerous challenges come to an end, that other families don’t experience the heartbreak we live every day.”

“This disturbing ‘challenge,’ which people seem to learn about from sources other than TikTok, long predates our platform and has never been a TikTok trend,” a TikTok spokesperson told Engadget in a statement. “We remain vigilant in our commitment to user safety and would immediately remove related content if found. Our deepest sympathies go out to the family for their tragic loss.”

The deaths of several other children have been attributed to the challenge. In April 2021, 12-year-old Colorado boy Joshua Haileyesus died after being on life support for 19 days. His family claimed he attempted the challenge. Italy last year temporarily blocked TikTok for users who were unable to verify their age after the death of a girl who allegedly undertook the challenge.

In March, it emerged that a group of attorneys general is investigating TikTok over the potential harms that its app can cause to children and “what TikTok knew about those harms.”

‘Deathloop’ update adds much-needed accessibility options and a photo mode

Arcane Studios has released the third major update for Deathloop, which adds a slew of accessibility features. There’s now an accessibility category in the options menu that includes the previously introduced settings (some of which have been upgraded) in addition to the new ones.

Players will be able to adjust various gameplay elements, though some settings will be limited to the single-player mode — i.e., when you play as Colt and Julianna is controlled by AI rather than an invading human. These include slowing down the game speed, adjusting the number of reprises (or lives) you have and making the combat easier or harder. There are more user interface options as well, such as the ability to change the color, size and opacity of some text and graphical elements.

In addition, players will, at long last, be able to navigate menus using the directional buttons instead of having to use a cursor. What a concept! If you prefer to use a cursor through, you can now adjust its movement speed.

When Deathloop landed on PS5 and PC last September, it was widely acclaimed, with critics praising its well-constructed gameplay, art style, level design and story. However, accessibility advocates pointed out issues that made the game difficult for disabled players to enjoy, such as the text size, lack of a controller remapping option and low contrast. Hopefully, this update will address most, if not all, of their concerns.

“We are truly grateful to the players and the ally community who gave us so much feedback when Deathloop was released,” lead UI/UX designer Yoann Bazoge told the PlayStation Blog. “We took the time to read all of the accessibility reviews and watch the videos of players explaining why they couldn’t play Deathloop. We then worked on a document listing all of the feedback and drew up a roadmap of what the additions would be for Game Update 3.”

Meanwhile, Arcane has added another much-requested feature: photo mode. This will only be available in single-player mode and you’ll be able to use poses, filters and stickers. Players can switch between Colt and Julianna, and choose a different outfit or weapon to capture the exact shot they want.

Hulu will be the streaming home for Lollapalooza through 2023

If you want to catch any live performances from Lollapalooza, Bonnaroo or Austin City Limits Music Festival from the comfort of your own home, Hulu will be the place to do that for the next couple of years. The platform has signed a deal with Live Nation to be the official streaming home for all three festivals through 2023. Lollapalooza was available to YouTube viewers for several years, but it moved to Hulu in 2021.

You’ll need to be a Hulu subscriber to catch livestreams from the festivals this year and next, though you won’t have to be on the Live TV plan. Two feeds will be available for each event Friday through Sunday. There will be one livestream for Thursday programming from Bonnaroo and Lollapalooza (ACL is held over two weekends but doesn’t run on Thursdays). Hulu will also offer special footage and behind-the-scenes vignettes.

The livestream schedules will be announced in the leadup to each festival. Gryffin, J. Cole, Tool and Stevie Nicks top the bill at Bonnaroo, which runs from June 16th to 19th. Lollapalooza takes place over the last weekend in July and this year’s headliners are Metallica, Dua Lipa, J. Cole and Green Day. As for ACL, you’ll be able to check out performances from the likes of Red Hot Chili Peppers, Lil Nas X, Pink, Kacey Musgraves, Paramore, The Chicks, SZA and Flume across the first two weekends of October.

Rivian recalls 502 R1T trucks due to an airbag sensor issue

Rivian is recalling some of its R1T electric trucks because of an issue with airbag sensors. The vehicle may not disable an airbag when a child is sitting up front, according to a National Highway Traffic Safety Administration filing spotted by The Verge. This is Rivian’s first recall and it covers 502 R1T vehicles that were built between September 2021 and April 2022.

Although the NHTSA recommends that children aged under 13 should be in the back seat, that’s not always possible for various reasons. Airbags, which can deploy even in a minor accident, can injure or kill children who are sitting in the front seat. 

Rivian said the recalled vehicles “fail to comply with the requirements of Federal Motor Vehicle Safety Standard number 208, ‘Occupant Crash Protection.'” The company said no injuries have been associated with the issue. 

The front passenger seats in the recalled EVs will be replaced for free at Rivian service centers — it currently has 20 of those in the US. The company said it will inform affected customers by phone, email, text and in-vehicle messaging as soon as possible. It will also mail notices to them by July 1st.

A Rivian spokesperson sent Engadget the following statement:

Rivian has determined that on certain R1T vehicles, the front passenger seat may not deactivate the front passenger airbag as required if a child seat or child is in that seat. In the event of a crash which deploys the front passenger airbag, a seat with this improper calibration may increase the risk of injury for any child or child seat occupant sitting in the seat. We are contacting those with affected Rivian vehicles, and they will receive a passenger seat replacement free of charge at a Rivian service center. In the meantime, infants and children should not be placed in the front passenger seat of affected Rivian vehicles until a front passenger seat replacement is complete.

Update 5/12 2:29PM ET: Added Rivian’s statement.

Netflix’s live-action ‘Resident Evil’ trailer shows a zombie apocalypse, obviously

A live-action Resident Evil series is coming to Netflix this summer, and a teaser offers a first look at what’s in store. The story takes place across two timelines and locations: a seemingly pristine New Raccoon City in the present day and a ruined version of London in 2036.

In 2022, we see Albert Wesker (Lance Reddick) bringing his daughters Jade and Billie to New Raccoon City. Albert works for the Umbrella Corporation, which unleashes the devastating T-virus on humanity. Fast forward 14 years and Jade is one of the last 15 million or so people on Earth. She tries to survive the zombie apocalypse while reckoning with her family’s dark secrets.

The show will build on existing lore from the Resident Evil games but will have an original narrative. The teaser makes it pretty clear this is primarily a horror series with some action weaved in. There are nods to the games as well, including a quick flash of a zombie dog at the end.

This show follows on from the anime Resident Evil:Infinite Darkness, which hit Netflix last year. The first eight-episode season of Resident Evil will arrive on July 14th.

Mark Zuckerberg shows off what Meta’s next headset can do

Meta CEO Mark Zuckerberg has provided a first proper look at the company’s next mixed-reality headset, codenamed Project Cambria, in action. The “high-end headset” is scheduled for release later this year and it will support a new augmented reality experience called The World Beyond.

We see Zuckerberg playing with and petting a virtual creature that’s superimposed onto the real world. The clip also shows a user in front of a virtual workstation before looking down at a notepad and writing on it. Reports suggested that Cambria’s image quality would allow users to clearly read text, and that seems to be the case.

In addition, the demo shows a virtual workout instructor who appears to be in the same space as the headset wearer. The World Beyond was built with Meta’s Presence Platform, which is designed to help developers create mixed-reality experiences.

Project Cambria will support full-color passthrough. Its onboard cameras can seemingly provide wearers with a higher fidelity view of their surroundings for mixed-reality purposes than existing Quest headsets can offer. The World Beyond will be available on Quest soon through App Lab, though you won’t be able to access the full-color passthrough experience just yet.

The new headset itself was blurred in the clip. However, it’s not that hard to imagine roughly what it will look like, especially given the teaser Meta released last year. Project Cambria (or whatever it will actually be called) will reportedly cost over $799.

A recent report noted that Meta employees likened Project Cambria to a “laptop for the face,” given that it’s said to have similar specs to a Chromebook. It’s believed Meta is planning to release a more advanced version of the Cambria headset in 2024 as well as two new Quest models over the next few years.

However, it seems Meta is scaling back some of its metaverse ambitions. On Wednesday, it was reported that the company is shutting down some projects at Reality Labs, the hardware and metaverse division that lost $10 billion last year, and putting others on hold. Meta is said to be hiring fewer staff than usual this year to reduce costs amid slowing revenue growth. Meanwhile, the company this week opened its first physical store for Reality Labs products.

UK’s Royal Mail aims to open up to 50 drone routes for rural deliveries

The UK’s Royal Mail wants to set up as many as 50 drone routes over the next three years to make deliveries to remote communities. The plan, which requires approval from the Civil Aviation Authority, would see the service secure up to 200 of the autonomous devices from logistics drone company Windracers.

The Royal Mail said the first communities to benefit would be the Isles of Scilly (off the coast of Cornwall in south-west England) and the Scottish islands of Shetland, Orkney and the Hebrides.

Test flights started last year. In the most recent one, held in April, the service was able to use a UAV to deliver mail to Unst, Britain’s most northerly inhabited island, from Tingwall Airport on Shetland’s largest island. That’s a 50-mile flight each way.

The twin-engine drone used in the tests can carry a payload of up to 100 kg of mail and take two return flights each day. The Royal Mail said the device has a wingspan of 10 meters and can withstand difficult weather conditions with the help of its autopilot system. After the drone arrives at its destination, a postal worker will retrieve the mail and parcels and deliver them.

The Royal Mail claimed the drones would help it reduce carbon emissions and provide a more reliable delivery service to islands. It eventually hopes to have a fleet of more than 500 drones that will operate across the UK.