The last time a major filmmaker ventured into a nightmarish Garden of Eden amid a swirl of Christian and pagan warnings of the evil that men do, the filmmaker was Darren Aronofsky, the film was “Mother!” and the CinemaScore exit polls of moviegoers out for a good time awarded it a rare, how-dare-you grade of “F.” Writer-director Alex Garland’s latest film, “Men,” may face a similarly harsh reaction, especially with multiplex audiences expecting an ordinary woman-in-peril thriller. This is Garland’s third feature, following the sleek satisfactions of “Ex Machina” and the mournful, methodical ac…