By Tobias Carroll Museums, as a whole, aren’t too into the idea of visitors touching the artwork on display. That’s entirely understandable, for plenty of reasons. (“Are there fingerprints on these paintings?” is not a question anyone wants to hear asked when looking at art.) But it’s also worth considering the ways that the pandemic has altered many people’s relationship with public spaces — and the way artists might be using their work to explore those changes. Writing at Hyperallergic, Daniel Larkin weighed in with thoughts on this year’s Yale Sculpture Graduate Thesis Show. Larkin describe…